Trittico

The Triptych unfolds as a sequence of three fragments that reveal a dense and layered plant landscape. Leaves, flowers and organic forms emerge from the aluminium through embossing, creating an interweaving of volumes that seem to emerge from the metal.

The reflective surface amplifies light and multiplies details, transforming each panel into a living space where the metal material takes on an almost natural quality. The three parts, though autonomous, dialogue with each other, constructing a continuous and immersive vision.

The work investigates what lies beyond the immediate gaze, suggesting the presence of a hidden world that slowly takes shape from matter.

From the series Structure and Tension