Zebra

The figure of the zebra emerges through the cantilevering of the aluminium, which builds its volume and precisely defines its body structure.

The stripes, made of copper and aluminium, introduce a graphic rhythm that runs through the surface and reinforces the presence of the animal. The contrast between the metals emphasises the natural pattern of the coat, transforming it into a visual and compositional element.

The work establishes a dialogue between naturalistic observation and material research, where metal becomes a tool for restoring form, rhythm and light.

From the series Organic Form and Figure