Dragone

Made by hand embossing on a thin aluminium sheet, Dragone develops a dynamic structure built for internal tension and relief control.

The figure is not treated as narrative, but as a surface in transformation: light defines rhythm and depth, while volume emerges from the calibrated pressure exerted on the material.

The work investigates the relationship between organic line and formal construction, transforming the image into a structural configuration where movement arises from the balance between thrust and resistance of the material.

From the series Organic Form and Figure