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In Mare in Tempesta, the movement of water is translated into a system of curvatures and compressions that organise the surface into a dynamic field of tension.
The undulations do not describe a landscape, but build a rhythmic structure based on layering and variation of relief. The vertical trajectory of the lightning bolt introduces a fracture line through the horizontal flow, interrupting its continuity and redefining the compositional balance.
The integration of resin and acrylic intensifies the perception of depth, transforming the surface into an active space where light and matter operate as building blocks.
From the series Structure and Tension