Ex voto

Two suspended figures, moved by thin wires, evoke the image of puppets and the delicate balance between control and freedom. The bodies, made of embossed and chiselled aluminium, take on an almost theatrical presence, as the protagonists of a silent scene.

The work recalls the language of votive offerings, where the human figure becomes a symbol of desires, fears and hopes entrusted to something greater.

Between irony and reflection, these puppets suggest the fragility of the human condition, suspended between personal will and invisible forces that guide our movement.

From the series Structure and Tension