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Trout relates the figure of the fish to a reticular structure that occupies the surface of the work.
The net, constructed through irregular openings in the aluminium, becomes the true field of vision: a system of voids and edges that generates depth and tension. The figure of the trout emerges in contrast to this texture, maintaining a more natural and recognisable presence.
The dialogue between structure and figure creates an unstable balance between freedom and constraint, transforming the image into a composition built on rhythm, emptiness and matter.
From the series Organic Form and Figure